The 'Original' Creative Crafting Magazine written by Crafters, for Crafters

Creative Crafting magazine began in August/September 2009, when a group of crafting friends on the Creative Connections network decided that it would be a good idea to raise awareness of the crafting community. From this point they started work and the first issue of Creative Crafting was published in October 2009 and the last was June 2014.
Now we are bringing you everything crafty from the home and beyond.

Wednesday, 29 May 2013

Competitions from Both Sides of the Fence


Competitions from Both Sides of the Fence
Published in Issue 23, June 2013


Written by Tracey from WowThankYou
www.WowThankYou.co.uk
Best Cuppa In Town


Can you remember where you were on Thursday 15 June 2006? I can. At approximately 12:20 I was getting ready to drive to an acupuncture appointment in mid-Wales, about a 40 minute car ride from my home on the coast in West Wales. The phone rang – I didn’t really want to take it as I didn’t want to be late – but I’m SO glad that I did. It was the Daily Express calling to inform me that I’d won a £30,000 convertible car … wow! I had entered the competition the previous weekend by text, having seen it while visiting my parents. I was 30 weeks pregnant with my first child at the time, and I had been an avid ‘comper’ for about two years. It was the pinnacle win of my hobby, and alas my commitment to it fell along the wayside when my daughter was born and I ran out of spare time!

The hobby of competitions becomes addictive. I remember entering 200 postcard competitions in a single evening (golly, think of the cost of doing that now!)  – and when I posted them all, I felt a huge wave of achievement … and the excitement and anticipation kicked in that I could be sent a winning letter with some wonderful goodies.  Over the two years I won more than a car – prizes ranged from a £1200 Currys voucher, 2 x coffee machines, a crate of wine, a range oven, a weekend at Gleneagles in Scotland, a toaster, kettle, Kenwood food mixer, a camera, a camcorder, lots of baby goodies, hair care items (brushes, shampoo, straighteners) … I loved awaiting the postman each day!

Why am I telling you all this? 
Well, I wanted to explain what it’s like when you spot a competition on a website or in a magazine, when you are a comper … I’ve lost count of the number of competitions I’ve ripped out of magazines at the hairdressers, or items I’ve needed to buy in order to enter a prize draw – as I said, it’s an addictive pastime, and you want to enter everything you can find. My hobby introduced me to brands I’d never heard of before, took me to websites I’d never visited before, read product descriptions in order to answer a question … and I was never alone in doing this…

A typical competition on the internet gets over 6,000 entries. 6,000 people who, like me, want to win the item on offer. And if we need to find an answer before we can enter, we look for it – carefully, in order to ensure it is correct. There are thousands of people in the UK scanning websites every day looking for competitions to enter – and there are online competition portals and forums that pretty much tell you where to go. OK, people may not hang around on the site for very long post-entering, as when you’re in the ‘competition zone’ you are pretty much looking to enter as many as you can in the time available. But you do get to know these websites and you remember them and revisit them when you need to purchase something specific. 

I remember being introduced to the website Firebox.com this way – I visited their site every month to enter their competitions – and that following Christmas I purchased some presents from them and have done ever since.
As I mentioned, since the birth of Millie-Mae and then Toby I’ve not been as active a comper as I’d like to be. And now the children are in school and nursery I am looking to free up a few hours here and there to get into it again … but for now I’m putting my experience to good use on the flipside of the coin…

I believe I have good knowledge of how a comper ‘works’, and I use this information on WowThankYou by regularly offering competition prizes. I also list the competitions on the competition forums I mentioned earlier – I WANT compers to flock to the page to enter because I know that this is a sure-fire way of introducing them to the WowThankYou brand, and they WILL come back and purchase from us at some point. We average between 2,000 and 2,500 entries per competition over the month that it runs. The numbers are slowly climbing, which I put down to persistence and continuity - When you place an order on the WowThankYou website during the checkout process you are asked where you heard of us and we’re starting to see ‘entering a competition’ given as their answer.  
With our competitions, you need to answer a question that is hidden somewhere within the seller’s store (who has donated the prize). I make sure it isn’t too easy as I want them to really see the items they are looking at. We can attribute a huge rise in sales to some sellers who have either currently or previously offered a prize – and this prize could cost as little as £8-10. There’s not many opportunities where this amount of money will get you 2,500-3,000 visitors …

And that’s the joy of competitions – compers don’t care what the value of the prize is as they enter everything, because they know there’s a higher chance that they’ll win the ‘smaller’ items rather than the cars, campervans, exotic holidays etc. To a comper, a win is a win, it’s as simple as that.

But yes I know what you’re thinking – “why encourage these people to enter?” Simple answer – because they are also online shoppers! Trust me – as a comper online, you are pretty nifty with a computer as you spend so much time on one entering prize draws, and quite honestly you simply don’t have time to go out shopping so buy online instead. It’s a winning formula, it really is.

So if you are looking for ways to get noticed, think about offering a competition prize on your blog, FB or twitter page. Don’t just run the one – when it ends, start another … keep doing it and people will slowly start to remember you and your brand. And then when they need to buy something, they’ll return not as a comper but as a customer, which is what we all want to see!



The Craft Box - Notebook Cover


The Craft Box - Notebook Cover
Published in Issue 23, June 2013
Written by Tina from Shinyes




This is what I did...

I rummaged through my craft box and gathered :
Very thick card (saved from a package delivery), 

White card,
PVA glue,
Paintbrush,
Button,
Ribbon,
Clear nail varnish,
Pencil,
Ruler,
Scissors,
Decorative papers,
Silver coloured letter stickers
Notebook.


Step 1.  I cut and trimmed the very thick card, both the same size but making sure that they were comfortably bigger than my notebook. These were to become the front and back cover of the re-usable notebook cover.

Step 2. I began covering my front and back cover with the decorative papers, beginning with the corners. I made sure that there was plenty of excess paper which could be folded over the edge of the covers, hiding the unsightly edges. Using the PVA glue and paintbrush, I continued to cover all eight corners.

Step 3. I covered the rest in decorative papers, again folding over the excess to hide the edges of the very thick card.

Step 4.  I turned over one of the boards and cutting some decorative paper, I covered the back, hiding all the excess papers that had been folded over when covering the edges. I only did this to one of the boards to start with. The other would come a bit later.







Step 5.  I then cut a small rectangle of ribbon and sealed the edges with clear nail varnish to prevent fraying, and sewed a button onto the centre, this was to become part of the fastening for the notebook cover. I then measured a length of ribbon to go round the other board, giving plenty of wiggle room to allow for the extra thickness that the cheap notebook would make. Then I again sealed the edges with clear nail varnish, and cut a hole for the button to go through. After the button hole had been stitched, I had my notebook cover fastening.

Step 6.  Again using PVA glue I attached the button to the front board and the button hole ribbon to the back board, folding the excess ribbon round it's edge. Then I was able to cover the board in my decorative paper, covering the excess paper and the ribbon.






Step 7.  Then it was time to attach the two boards together. I cut a piece of ribbon (you need thick ribbon for this, I would recommend two inches wide) making sure it didn't quite reach the length of the boards. Again I used clear nail varnish to prevent fraying, and glued the ribbon to both boards, leaving a gap between that was wide enough for the thickness of the notebook.

After it was dry, I held my breath and tested that it worked. It did!

Step 8. Then I began drawing out the parts that the front and back cover of the notebook would slot into to keep them in place. I made them slightly bigger than the covers and added tabs that would be used to glue them to the inside of the boards. 

When I came to putting the notebook covers inside, I found that the notebook covers were getting caught on the tabs I had made to glue the housing into place, so I cut the notebook covers down about an inch and they went in without a problem.

Step 9.  My final finishing touch to my completed notebook cover was to use the silver coloured stickers and name my finished  item “Notebook”

All done.

I was very pleased with the result and am contemplating making more of them as gifts for family and friends.



The end result - a beautiful notebook, a heap load of fun and an eagerness to start my next project. Visit Tina at www.shinyies.co.uk

Meet Mick Brown - Artist


Meet Mick Brown - Artist
Published in Issue 23, June 2013
Written by Mick from Red Poppy Art
www.redpoppyart.co.uk




I've always drawn and painted (even before I could walk) and at school I was involved in painting all the back-drops for two large stages every time plays were performed. I also ended up painting murals all over our common rooms and corridors during holiday times! So I learnt how to scale work up to a large size very early on. This changed my perception as I realised what appeared to be large daubs coalesced the further you stepped back ! (This was obviously stored away for later use).Since then I have worked as a graphic designer (before p.c.) where I learned my craft properly after that I used my skills and talent to work as a mural painter and I also worked with Interior designers creating specialist paint effects for new builds. My customers would either want their children's bedrooms and nurseries painted top to bottom or they would want a sky painted right across a huge ceiling.

During this time I was invited to open a studio near where I lived in a local community centre the only proviso was would I be prepared to tutor community members one night a week? Looking back I think this was the turning point in my painting career as I've met so many artists who are obsessed with getting their work seen and sold I actually started to realise this wasn't the way forward. The more people who started coming through the doors the more I realised I was helping them not only to draw and paint but also to build their confidence and I actually started modifying my technique in tutoring and painting so much so that my whole approach to painting completely turned itself on its head.

The Tanfield community studio has been running for over 10 years now and is entirely voluntary I take a nominal fee for heat and light. We occasionally obtain funding for equipment but I teach students to make their own stuff and recycle and re-use everything.

Over the last 15 years I have had various features in local newspapers either for jobs I've been working on or pieces of work I've donated to local charities for fund-raising. This has helped them out a great deal and they've always written back and thanked me, some of these letters are on my website. One painting in particular I donated to a diamond charity event raised around £400 or so but more importantly the guest of honour was H.R.H. the Countess of Wessex and she saw my work. So sometimes its not about grubbing about to sell the work. I give about 4/5 pieces away every year to charities and I find this more rewarding.

I have also exhibited in quite a few local galleries and have been lucky enough to sell on those occasions, however the galleries take such a large proportion it is not cost effective to use them and I rely on the public visiting my studio direct. This also helps because I don't believe in framing the work as I like the customer to make their own choice, they seem happier with that choice.

My second studio runs out of Glenroyd House in Consett, County Durham. One day I walked into my local D.C.V.S. office and told them what I could do and would they like to make use of me as a volunteer. It didn't take them long to fit my skills and talents to 'local art classes' and we now have nearly 30 people on our books. From the beginning I think we knew this was going to be the start of something new as Consett is a depressed area and there are a lot of people existng on the fringes of the community who have challenges and it was very much a case of "if you build it they will come". By word of mouth more and more people started coming to the class with all different abilities and life experience. The role of coach or tutor has changed as I've had to learn to take on people with varying challenges in their own lives and they are truly inspirational to work with. This has had a dramatic effect/affect on my own work as my painting and drawing has become so paired down and de-constructed I am able to paint without any pre-planning. It is completely spontaneous! I try to pass on this method to my students as in my own personal life I've had challenges too!

Over the past few years I have been forming a social enterprise which is a largely non-profit organisation and diverts any funding into sourcing resources to keep moving art forward. I am not interested in personal greed and I cannot have anything as superficial as money clouding the production of my work. I have had to learn to balance my tutoring and my own painting but this is half the fun, I'm lucky to be able to paint for myself and not allow the aquisition of material objects control my art.




 To see more of Mick you can check out his website www.redpoppyart.co.uk Also on Facebook here www.facebook.com/mick.brownartist.3  and here www.facebook.com/MickBrownArtist 





Tina in the Garden - June 2013

Tina in the Garden
Published in issue 23, June 2013




Hi! I'm Tina,

Yes I am back in the garden and very pleased to welcome you all on this beautiful spring day. We will have our tea in the conservatory where we can see the garden and enjoy the sunshine, as the wind is a still little cold.

It is the May Bank Holiday and I don't believe this weather. We never get this on a Bank Holiday do we? Spring has really arrived!

So shall see what has been appearing in ‘The Garden’ since your last visit. 

We had the early daffodils but it was still so cold, now everything is coming out so fast the bluebells are only just going to come out before the trees have their leaves. They are also spreading all over the garden I just keep finding them everywhere, what a bonus. 


The forsythia has been absolutely gorgeous and so many primroses just everywhere, the tulips also such bold colours.

There is some blossom on one of the crab apples but the other two have been in the path of the cold winds, the pears and apple trees have blossom but not as much as in other years. But just look at the delicate pink and white blossoms, and the fresh young leaves.


So many shades of green and so fresh and vibrant, the trees don't need blossom they are beautiful with just the leaves. There is the cow parsley it looks wonderful in the summer with its lacey white blooms, but now what a wonderful shade of green. Also the water mint which is wild, not to be confused with cultivated mint, smells the same but is not edible. It is very pretty and shows more shades of green.


Of course we have our resident crow, same tree, same nest it just keeps getting bigger each year, it is so special to see them bring up a new family every year. I can’t help saying yet again nature really is wonderful.

The Bog has dried out a lot and the water iris are coming up so fast you can almost see them growing.  The marsh marigolds are just finishing now but have been like a patch of golden sunlight.


The clematis in the hidden garden is in bud and the grapevine, if this sunshine keeps up the will be out in all their glory very soon. The skimmia grew so big last year it is huge now and is flowering and smells just wonderful.
The parsley came through the winter well but I lost the thyme and sage.I will have to restock the herb pots this year. Also I was so pleased and surprised to find that some cuttings which I had taken of roses and shrubs have survived , I just left them in a sheltered spot in the hidden garden.

Also the roses are all getting their new leaves and I have been trimming the dead wood from them where it was killed by the cold winter winds,just tidying them up a bit. Also the passion flower was damaged by the winter and I had to cut it well back, I will keep you informed of its progress.

At the moment I am sure you can almost see the leaves coming out and the plants coming up. After the cold winter this sunshine is wonderful long may it last, not just for the plants but for us to.

The rain last year was good for the garden and some of the plants need pruning back a bit but with the cold weather lasting so long it has to be done quickly or it will be to late. The Russian vine over the seat being just one. Did I say over the seat you could hardly see the seat at all, I had to get my better half to attack that and he came through as usual.

In some of the wild parts of the garden we have brambles, (well my better half does love blackberry and apple pie) and they are a lovely free fruit. But boy did they love the rain last year and the fact that it was so wet we could not get out to deal with them and they have spread like mad so we are on the offensive but they do fight back. Of course I am not going to show you a photo of brambles I will leave that to your imagination .

Well I think I have talked enough so I will show you some random photos.

The garden really is so special at the moment so new and exciting, I am snapping photos all the time.

Oh! I guess we drank the tea and ate the biscuits, so who's for a walk in the sunshine this beautiful Spring day?

Thank you all for taking the time to visit with me, and I look forward to seeing you all again in the next issue when I will again be in ‘The Garden’.

Your green fingered friend,
Tina     

Can you spot the crow on this misty morning in 'The Garden'?


As seen by Creative Crafting - Designs by JoJo

As seen by Creative Crafting
Produce review of
Designs by JoJo
Issue 23, June 2013
Followers of our Facebook page and Twitter Account may have seen that we now offer product reviews. This can either be your creations, your service or your course/workshop etc.
If you would like us to conduct a review for you further information can be found on our website. www.creative-crafting.com/product_reviews.html
Depending on how many products we get submitted we may offer single or multiple reviews per issue.
 
This review is for:
 
 
The item sent to us by Designs by JoJo is an Ivory Heart Flock Handmade Serviette Ring.
Retailing at £1.85 each this dainty little item could be just what you need to add 
 

The napkin rings are lined with textured paper with ivory organza ribbon bow and pearl diamante clasp finished inside with small round brads - approximate size width 4.5 cms x diameter 4.5 cms and can be made smaller/ larger if required.


Although they don’t seem much on their own we can see that a table full would look very elegant and we just LOVED the fact that it came in a little beribboned box!
Certainly worth a look when planning your happy event!
www.designsbyjojo.co.uk


Something Outta Nothing A Fabulous Feast For Free

Something Outta Nothing A Fabulous Feast For Free
Published in Issue 23, June 2013
Written by Gill from Personal Space Interiors




In the interests of scrimping (and making sure nothing lurks in the fridge, freezer or store cupboard for too long) I like to have a good kitchen clear out every couple of months. It saves money, gives me the opportunity to clean without having to rearrange the entire kitchen and allows my inventive side to come to the fore. That despondent cry “There’s nothing to eat!” just isn’t allowed in my house. There’s always something; it just takes a little time and imagination…


An Indian Feast; perfect for a Saturday night in

My Indian feast was made entirely from the store cupboard, plus a few everyday essential ingredients like potatoes, onions, eggs and butter. This is a vegetarian meal; you could add prawns or chicken to the main curry dish for meat eaters, or remove the eggs and butter/ghee to make the meal suitable for vegans.
Serves 4-6
Potato and egg curry
Sweet and sour lentil dhal
Mushroom bhaji
Almond pilau rice
Fresh chapati

Potato and egg curry

This is perfect for using up bits and pieces from the fridge. I’ve made this curry with some left over new potatoes, some eggs and green beans but you could pretty much use anything you like. Aubergine, cauliflower and broad beans work brilliantly. It’ll work well with chicken or prawns if you prefer a meat based dish.

New potatoes – approx. 500g
4 eggs
1 large onion finely chopped
1 tbsp olive oil and a knob of butter or ghee
2 cloves garlic crushed
Thumb sized piece of ginger peeled and grated, or ½ tsp ground ginger
1tsp each of ground coriander, cumin and garam masala
1 tin coconut milk
400ml chicken or vegetable stock
Vegetables – green beans, peas, broad beans, aubergine, cauliflower etc. cut into even sized pieces around 2cm
Salt, pepper and if you have it, fresh coriander roughly chopped

1. Cut the potatoes into chunks, parboil for 5 minutes if raw and roast in a little olive oil until golden.
2. Boil the eggs for 7 minutes, run under cold water then drain, peel and cut into quarters.
3. Cook the onion gently in a large lidded sauté pan with a drizzle of oil and a knob of butter until golden and soft.
4. Add the spices, garlic and ginger to the onions and fry for a minute to form a paste.
5. Add the rest of the ingredients and simmer gently for 20 minutes.
6. Season to taste and add the fresh herbs.

Sweet and sour lentil dhal

You can use red or yellow lentils for this. I prefer yellow for the fabulous colour with the turmeric. If you have too many yellow lentils you can make a pot of pease pudding too. Simply take 4 tbsp cooked lentils from the pan after step 1, season well and blitz to a smooth puree. Keep in a covered pot in the fridge. It will set to a smooth paste. Delicious with ham.

250g dried lentils
500ml chicken or vegetable stock
2 bay leaves
1 tsp turmeric
2 tbsp cider vinegar or tamarind paste if you have it
2 tbsp brown sugar

1. Rinse the lentils in cold water and place in a saucepan. Cover with stock, add the bay leaves and turmeric and simmer until tender – around 25 minutes.
2. Add the cider vinegar (or tamarind paste) and sugar and mix thoroughly until the sugar has dissolved. The lentils will break up as you mix to form a rough puree.
3. Season to taste.

Mushroom Bhaji

This is a great way to use up mushrooms that are starting to look a little sad.  A breathable mushroom bag will keep your mushrooms dry and fresh in the fridge for longer.
Sliced mushrooms – any closed cup variety will do
1 tsp each olive oil and butter or ghee
1 clove garlic crushed
1 tsp each coriander and cumin
Juice of half a lemon
1 tsp corn flour slaked with a little water to a smooth paste
100ml white wine
200ml chicken or vegetable stock

1. In a small saucepan, fry the mushrooms in the oil and butter until golden.
2. Add the garlic, spices and lemon juice and simmer for a minute.
3. Add the wine and stock and simmer until reduced by half.
4. Stir the corn flour through until thickened and let it simmer for a couple of minutes.
5. Season to taste.

Almond pilau rice

1 large onion, finely chopped
2 cloves garlic, crushed
300g basmati rice rinsed in cold water
600ml cold water
Knob of butter or ghee
100g flaked almonds

1. Fry the onion in a little olive oil until golden, then add the garlic to soften for a minute.
2. Stir the rice through to make sure each grain is coated then add the water, cover and bring to the boil. Turn down the heat and let the rice simmer for 5 minutes. Turn off the heat and leave the rice covered to continue to steam. Don’t be tempted to stir the rice – the lid needs to stay on for the cooking to finish.
3. Toast the almonds in a small pan until lightly golden.
4. Add the butter and almonds to the rice and fork through gently. Season to taste.

Fresh chapati

The quickest easiest bread in the world! They take 5 minutes to make and 2 minutes each to cook, and they’re great for getting the kids involved too. This mix will make around 10 chapatis.

450g plain flour
1 tbsp olive oil
Warm water
Melted butter or ghee, or olive oil

1. Place the flour in a large mixing bowl and drizzle in the oil.
2. Add enough warm water to form a soft and pliable dough. Knead on a lightly floured surface until smooth – around 5 minutes.
3. Place a wide shallow frying pan over a medium/high heat
4. Divide the dough into 10 pieces. Roll each piece into a ball then roll out to 3mm thickness.
5. Place the chapatti in the hot dry pan and cook until it puffs up on top and begins to brown underneath. Turn over and cook until this side is browned.
6. Place the cooked chapati on a warmed plate and brush with melted butter or ghee. Cover with foil to keep warm, then carry on with the rest of the dough until you have a lovely stack of fresh chapatis.
7. Perfect with pickles – hot lime is my favourite.


I hope you enjoy my recipes. Why not follow my blog for other foodie treats
www.personal-space-interiors.blogspot.co.uk


Creating A Photo Mosaic Coaster

Creating A Photo Mosaic Coaster
Published in Issue 23, June 2013
Written by Carrie from Streutertech


Looking for a quick gift idea for Father's Day? 
What dad doesn't love receiving homemade gifts from their children?
 Here's a great project that's both quick and easy, finishing in 1 to 2 hours, depending upon your style.

Materials:

Photograph or artwork
4" coaster tile
2" x 2" clear glass
Package of 3/8" tiles (1/2" or 1" tiles will work, as well)
No Days Mosaic Adhesive film
Scissors or razor
Standard heat gun or embossing heat tool
Long pair of tweezers (or other heat proof tool)
Black sanded grout
Latex gloves
Dust mask
Container for mixing water and grout
Cork backing
HoneyDoo Powerbond Glue


Step 1. To create a custom photo coaster, the first thing you need is a photograph cut to 2" x 2". (You can also use a piece of artwork, just re-size it to 2" x 2".)

Step 2.  Cut the No Days Mosaic Adhesive to fit the coaster surface and another piece that is slightly larger than the photo. Find the center of the coaster and place the photo between the two pieces of No Days Mosaic Adhesive. Put the glass over the top of the photo and adhesive.  So, now you've got the coaster substrate in front of you with a layer of No Days Mosaic Adhesive film on it. On top of that, you've got your photograph in the center of the coaster with a piece of No Days Mosaic Adhesive that covers it. Then, you place the clear glass on top of that. So this is what you've got so far.

Step 3. Now, you'll need to fill in all the empty space. Cover the coaster with the rest of the tiles, remembering to leave little gaps (1/16" to 1/8") for the grout lines. It's not important that your lines are straight. In fact, it adds a bit of interest if they're not that straight! Also, you don't need to worry that all the tiles are in the exact spot they're supposed to be, as you can move them into position while you're heating.




Step 4. After you've covered your coaster, it's time to heat set the tiles in place with a standard heat gun or embossing heat tool. Begin by holding the heat gun about 6"-8" above your coaster and turn it on low. As the tiles begin to heat, you can begin to move the heat gun closer. You don't want to start too close, though, or else you'll end up blowing the tiles off the substrate with the force of the hot air!
As the adhesive heats up, you will see it start to turn glossy and liquefy. You need to make sure to heat the tiles enough so that the adhesive underneath them also liquefies.

Step 5. Using a pair of long tweezers or other heat proof tool, push gently on the tiles to see if they move. If the tiles skid or stick, then the adhesive under them is not fully heated. If the tiles glide as you push on them, they have heated the adhesive underneath. When the tiles are heated thoroughly, you can easily move the tiles around and position them into place.  While heating, you'll need to press down on the clear glass in the middle of the coaster to push out any air bubbles that get trapped under the glass and on top of the photo.


Step 6. After the tiles have cooled down (5-7 minutes), you're ready to grout. Before beginning to grout, check that all the tiles are fully adhered. The tiles along the edges of the coaster will be the ones that may not have been heated enough. If you push and pull on them and they pop off, you need to heat longer. If you begin grouting and still have pieces that pop off, clean the area free of grout, place another small piece of adhesive under it and re-heat the tile to activate the adhesive.

Wearing a dust mask, mix a small amount of black sanded grout (a handful) in a cup with just a bit of water (maybe a teaspoon). Stir the grout around with your fingers until it is thoroughly mixed and about the consistency of peanut butter. Spread the grout on top of your coaster, rubbing the grout across the tiles to force the grout down into the gaps. Don't try to push the grout into the gaps vertically, it won't pack it in there tightly. After you've got the grout in all of the spaces, stain the edges and underside of the coaster by rubbing the grout against them. (Alternatively, you can paint the edges and back after you're finished with the coaster.)

Step 7. After you've finished grouting, wait about 10 minutes for the grout to become hazy on top of the tiles. Then, you can polish the tiles lightly with a paper towel. You can call the coaster finished now, or you can add some rubber pads to the bottom to protect surfaces that the coaster will lay on. Otherwise, you can continue with the instructions below to attach a cork backing. The HoneyDoo Powerbond will take a bit longer to cure, but the end result looks very professional.


Step 8. While waiting for the grout to set up, cut the cork backing (you can find this at craft stores) by cutting it slightly smaller than your coaster (3-7/8"). After polishing your coaster, flip it over to the back side. Smear the HoneyDoo Powerbond glue in a thin layer around the entire surface of the cork backing, BUT stay at least 1/4" from the edges.  While the glue is drying, it will expand slightly and fill in the gap.

















Step 9. After gluing, flip the coaster over to press the cork backing flat and let the glue dry (2-3 hours). You may want to add a grout sealer to protect the grout, and prevent the black edges from smudging.

Now, you've got a gift that dad can take to work with him to remind him of the littles while he's away!